To produce scenes of simulated sex, von Trier used digital compositing to superimpose the genitals of pornographic film actors onto the bodies of the film's actors.[21] Producer Louise Vesth explained during the Cannes Film Festival:
her porn vol 1
Days pass. Alix sees a psychiatrist. Under his questions, she reveals that she checked her husband's computer to save his notes, and found that he was conducting an e-mail affar with "Sexy Sally Sonic", a superhuman working for a soft-porn website. His efforts were mostly directed at her affections. This news shocks Alix, and she crashes through the lab's walls in a desperate attempt to kill herself. However, she finds a wrecked train, and decides to help the passengers. When they ask who she is, she replied "I'm a super hero."
Of course my expectations were completely met by this BLACKED film. Most of the stories tended to be your basic porn story but I really enjoyed the mystery of the last scene trying to figure out exactly what was the story there. The sets used for filming were beyond beautiful and made me envy the life the wealthy people get to enjoy, just spectacular. All of the sex was intense and a turn on to watch, I give this film a solid five stars and I hope that you watch it too and explode with satisfaction!
"Nymphomaniac" sure has caused quite the stir without even screening in that many theaters. The latest art house film from Lars von Trier made headlines for its orgasmic posters, an unusual discount for infants and -- probably most notably -- its use of digitally added porn doubles for the sex scenes.
While most the composite footage won't make it into US theaters, the uncut version of the sex scenes only featured the midsection of the actors' porn double. Everything above or below actually belonged to Martin or LaBeouf, for example.
"Basically, we would do the scenes," Martin said. "What happens is that we have to agree on a position because of the CGI. Everything has to be set, so we would do the scene with Shia or whoever it was, and we would get little black dots on our bodies," Martin said. "It was very unerotic, very technical and it gets quite boring because then they have to do exactly the same with the porn doubles. But they're having real sex, and they put the two together."
June 23, 2009: Cory M. Papp was seen looking at child porn on computers in the Valley Library at Oregon State University between July 31 and Aug. 1, 2007. Police charged him after searching the hard drives of two computers he had used and obtaining several CDs with a search warrant, the statement said. (link)
Revenge pornography is a growing risk among adolescents and young adults. Often stemming from sexting, some victims of revenge pornography report experiencing victim-blame similar to that accompanying the reporting of rape. The purpose of this paper is to explore the assumptions that underlie attributions of victim-blame, with a focus on perpetrator and victim responsibility, as well as gendered assumptions surrounding sexting.
A total of 222 UK university students (111 male, 111 females) read one of two versions of a hypothetical revenge pornography scenario, one involving a male victim of a female perpetrator, the other a female victim of a male perpetrator. They then responded to an open-ended question regarding responsibility.
The majority of participants in this study attributed at least some responsibility to the victims of revenge pornography depicted in the scenarios. Sex of the victim played a less important role than assumptions around sexting.
The study suggests that victim-blame is linked to the consent implied by sharing intimate images with a partner, but is also mitigated by the normative nature of this relationship practice. There was some evidence that the experience of male victims of revenge pornography is trivialised. These findings have implications for e-safety and victim support.
Gavin, J. and Scott, A.J. (2019), "Attributions of victim responsibility in revenge pornography", Journal of Aggression, Conflict and Peace Research, Vol. 11 No. 4, pp. 263-272. -03-2019-0408 2ff7e9595c
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